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"The Handbook gives a comprehensive picture of the varieties of governance in areas of limited statehood from interdisciplinary perspectives including political science, geography, history, law, and economics. Twenty-nine chapters review the academic scholarship and explore the conditions of effective and legitimate governance in areas of limited statehood, as well as its implications for world politics in the twenty-first century. The authors examine theoretical and methodological approaches as well as historical and spatial dimensions of areas of limited statehood, and deal with the various governors as well as their modes of governance. They cover a variety of issue areas and explore the implications for the international legal order, for normative theory, and for policies toward areas of limited statehood."--Page 4 of cover.

Public institutions --- Legitimacy of governments --- Non-state actors (International relations) --- Governments, Legitimacy of --- Legitimacy (Constitutional law) --- Consensus (Social sciences) --- Revolutions --- Sovereignty --- State, The --- General will --- Political stability --- Regime change --- Government institutions --- Institutions, Public --- Institutions, State --- State institutions --- Associations, institutions, etc. --- NGAs (International relations) --- Non-governmental actors (International relations) --- Nongovernmental actors (International relations) --- Non-state entities (International relations) --- Nonstate entities (International relations) --- Nonstate actors (International relations) --- International relations --- E-books --- Theory of the state --- Public administration --- Public institutions. --- Legitimacy of governments.

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In today's theatre, productions of plays that originated in another language are frequently distinguished by two characteristics: the authorship of the English text by a well-known local theatre specialist, and the absence of the term `translation'-generally in favour of `adaptation' or `version'. The Translator on Stage investigates the creative processes that bring translated plays to the mainstream stage, exploring the commissioning, translation and development procedures that end with a performed play. Through a sample of eight plays that span two thousand years and six languages-including Festen, Don Carlos, Hedda Gabler and The UN Inspector-and that were all staged within a three-month period, Geraldine Brodie brings in a wide range of theatre practitioners to discuss their roles in the translation process and the motivations that govern London theatre translation activities. The Translator on Stage is informed by specially conducted interviews with the productions' producers, artistic directors, directors, literary managers, playwrights and specialist translators, including Michael Grandage, Rufus Norris, David Eldridge, Juan Mayorga, David Johnston and Mike Poulton. It sheds new light not only on theatrical translation procedures, but also on the place of translation in society today.

Drama --- Theater. --- Toneel --- Translating and interpreting. --- Translating. --- Bewerken --- Vertalen. --- Theory of literary translation --- Theatrical science --- Translating and interpreting --- Theater --- #KVHA:Vertaalwetenschap --- #KVHA:Theatervertaling --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- Translating

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Lorsque l'article Genève paraît dans l'Encyclopédie, Rousseau publie une Lettre à d'Alembert sur son article Genève, réponse foisonnante et virulente qui traite aussi bien du clergé, des mœurs, de l'honneur, des lois, que des spectacles ou des divertissements qui conviennent au peuple genevois. Pourquoi prend-il ces questions tellement à cœur ? En dépit de ses origines genevoises revendiquées, on ne lui a pas confié la rédaction de l'article. D'Alembert, en s'en chargeant personnellement, sait qu'il attise une polémique. Son Discours préliminaire de l'Encyclopédie visait déjà à réfuter le Discours sur les sciences et les arts. L'article sur Genève présente la cité calviniste comme un exemple de liberté politique et religieuse mais critique des restes d'obscurantisme que la lumière philosophique doit dissiper : il suggère des réformes, notamment la levée de l'interdiction d'un théâtre permanent. D'Alembert imagine ce qu'il nomme une « cité philosophe », où fleuriraient à la fois la liberté de la république et les raffinements culturels des grandes monarchies. Or ce projet résume tout ce que Rousseau, depuis le premier Discours, dénonce comme une illusion. Sa Lettre approfondit la démonstration : le théâtre comme école de l'hypocrisie, le bel esprit, la civilité telle qu'on la conçoit à Paris sont inconciliables avec les mœurs de véritables citoyens. Ses thèses sur les spectacles ne sont qu'un aspect de sa réflexion sur la modernité : à quelles conditions la république est-elle possible ? Comment lier adéquatement morale, esthétique et politique ? Les études réunies dans ce volume éclairent les enjeux et les logiques complexes d'un texte que son auteur, alors malade et croyant vivre ses derniers jours, a rédigé comme s'il devait s'agir de son testament philosophique.

Rousseau, Jean-Jacques --- Theater --- Théâtre --- Moral and ethical aspects --- Congresses --- Political aspects --- Congresses. --- Aspect moral --- Congrès --- Aspect politique --- Rousseau, Jean-Jacques, --- Political and social views --- Knowledge --- Performing arts --- Théâtre --- Congrès --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors --- Rouseau, Jan Jakub, --- Russo, Zhan Zhak, --- Rousseau, John James, --- Rūssū, Jān Jāk, --- Lu-so, --- Ru-xô, Giăng-Giá̆c, --- Rousseau, Jean Jaques, --- Rousseau, Jean Jeacques, --- Rousseau, J. J. --- Rusō, Jan Jakku, --- Rousseau, Gian Giacomo, --- Ruso, Z'an Z'aḳ, --- Rūcō, --- Citoyen de Genève, --- Citizen of Geneva, --- Roussō, --- Rousseau, --- Rūssō, --- Rousseau, Johann Jacob, --- Руссо, Жан-Жак, --- רוסא, זשאן־זשאק --- רוסא, י׳ן י׳ק, --- רוסו, זאאן זאאק, --- רוסו, ז׳אן־ז׳אק, --- روسو، چان چاك --- روسو، ژان ژاك --- 卢梭, --- Rousseau, Juan Jacobo, --- Rousseau, G. G. --- Ruso, Jan Jak, --- Rūsaw, Zhān Zhāk, --- Rūsū, Zhān Zhāk, --- Theater - Moral and ethical aspects - Congresses --- Theater - Political aspects - Congresses --- Rousseau, Jean-Jacques, - 1712-1778. - Lettre à M. D'Alembert - Congresses --- Rousseau, Jean-Jacques, - 1712-1778 - Political and social views - Congresses --- Rousseau, Jean-Jacques, - 1712-1778 - Knowledge - Performing arts - Congresses --- esthétique --- Rousseau (Jean-Jacques) --- philosophie --- histoire des idées --- Rousseau, Jean-Jacques, - 1712-1778. - Lettre à M. D'Alembert --- Rousseau, Jean-Jacques, - 1712-1778